Inspired by the true story of Bryony Tyrell, known in the cage as “Killa Bee” - one of Britain’s
most unexpected fighters: a nurse on the frontlines during COVID, devoted mother, and a pro MMA fighter. Featured in stories by The Telegraph, The Mirror, The Daily Star, and more,
Bryony has captured hearts and media attention with her extraordinary double life...
Bry leads a double life — a nurse by day and a ferocious mixed martial arts fighter by night. Driven to the brink as she prepares for a showdown with Molly McCann, she risks it all — family, sanity, everything — for her shot at glory.
Just as that chance arrives, the pandemic strikes, pushing her into the trenches of the COVID ICU. When tragedy hits close to home, her world is shaken. But Bry doesn’t back down.
Another fight offer reignites her hunger — though this time, her career and home life are both on the ropes.
The final match? It’s brutal, raw, and unforgettable. Spotting her family in the stands, Bry makes a soul-shaking decision — choosing the battle that truly matters most. This electrifying film melds high-octane MMA action, heart-stopping drama, and an unbreakable spirit.
A reclusive farmer, Cal, discovers a wounded android hidden in his fields. Sympathetic to her plight, he offers the runaway robot, Khloe, shelter while he repairs her.
As they isolate themselves from the world, their relationship blossoms, and they begin to uncover each other’s humanity.
However, their fragile sanctuary is threatened. Khloe is being relentlessly hunted by her creators, and Cal is being haunted by his past and a dangerous deal he made.
With their worlds on a violent collision course, the two realise that survival requires more than just hiding.
This is not a science fiction story. This is a violent love story.
Henry Moore beside a pebble. Barbara Hepworth next to broken china. No labels. No velvet ropes. No explanation. Art stripped of its usual deference and curatorial esperanto. Art revealing its true power. Art for all.
‘You want to look at how it is and marvel at the ordinariness of it and the extraordinariness of it all’ (Lubaina Himid)
Kettle’s Yard is a small, humble home. Created by a couple, Jim & Helen Ede, who, with little money, became supporters and friends of many of the most important artists of the 20th Century. Jim survived the trenches of the First World War but despaired of a society that could allow such horrors. His is a quiet, very British, revolution that has a powerful resonance today.
‘These fragments that you find all around Kettle’s Yard, they’re almost an equivalent to the fragments of a bomb blast that he’s trying to capture and hold, he’s trying to stop this explosive force of horror and warfare and people fighting’ (Andrew Nairne)
Antony Gormley, Edmund de Waal, Cornelia Parker, Ai Weiwei and others, passionately explain why this humble place is so important to them and why Jim’s radical ideas are vital for us today.
The remarkable true story of six working-class Scots who created some of the most enduring and influential soul and funk music of the 20th century. Rising from the clubs of Scotland to the top of the U.S. Billboard charts, Average White Band’s journey is one of extraordinary talent, cultural crossover, and resilience. Just as global fame beckoned, tragedy struck with the sudden death of drummer Robbie McIntosh - a devastating loss that would change the band forever.
Featuring electrifying archive performances and intimate new interviews with the surviving band members, alongside contributions from Chaka Khan, Michael McDonald, Mark Ronson, DJ Premier, Questlove, Chuck D, and Flavor Flav - the film explores how AWB, as one of the most sampled bands in history, left an indelible mark on hip hop, R&B, and popular music - influencing generations of artists.
Filmed over a 30-year period, CUTS - MORE THAN A HAIRCUT delivers a vital portrait of the low-key, world-famous London barbershop ‘Cuts’ - not just a place to get your hair styled but a space for street fashion and pop innovators. Guided by freewheeling founders James Lebon and Steve Brooks, who met when one was a Rockerbilly and the other a New Romantic, the salon moved from early '80s post punk roots to become a communal hub for DJs, photographers and style icons, an influencer in the analogue age.
Bearing witness to the passing of time brings profound and often tragic personal change in the hairdressers' lives within the wider context of immense shifts in the UK's political and cultural landscape. The film is an anthem to the promise of youth and the friendships that endure over a lifetime.
Two friends struggling with different demons find the strength to overcome the trauma each of them faces, through the human connection of those that matter most.
Wilson who is recovering from alcohol addiction and in the throes of martial conflict, is being trained for a boxing match by his best friend Chris (ex British Forces) who is secretly suffering his own battle with PTSD and going through a messy divorce.
As the story unfolds, they are taken to their limits of endurance and pushed to breaking point. As a result, they are forced to become better versions of themselves and reconcile with their partners and each other.
However, Chris has one further challenge he must now face alone.
Brave as whiskey
Bold as brass
A laugh like a bell
And a warmth unmatched, built hearth upon hearth
Your house rumbles
Excerpt - 'The Public House Rumbles' by Alexandra Ewing
Shot in the single location of a Glaswegian pub, PUBLIC HOUSE is a sequence of vignettes, some characters recurring and others not, just like real life. A myriad of eccentric and troubled souls pass through, looking for a drink, solace, a conversation, someone to love, an audience, sex, an explanation, revenge, or just a place to be.
The film delves deeper than the sum of its parts, asking existential questions. How did we end up here? Why do we do what we do? Should we try something else? Ultimately the film is about committing to something. To an idea, a place, an affair, grief, a philosophy, family, a tall tale, loss, love, a joke, a friend or simply trying to make it through the day.
London, 1888. Amateur inventor, Tamworth, has just created the first moving image machine.
A modified pinhole camera with wax cylinders attached, he uses it to document a group of women who have fallen into a conspiracy that the violent ‘Jack The Ripper’ is not a man, but a monster.
But his account, though revolutionary, is itself distorted. The newspapers he reads are unregulated, the people he interviews confused by misinformation, and the events he captures cut off and mangled at the edges.
This disturbing journey into his sepia-toned rabbit hole delivers a haunting warning on the perspectives we are fed... as well as what - and who - we can truly believe.
Official Selection Edinburgh International Film Festival 2026 - World premiere
Mia ‘Rabbit’ Hayes has just turned 40. She’s Jack and Molly’s beloved daughter, Davey and Grace’s baby sister, a single mother to 12 year-old Juliet, and she has nine days to live.
We meet Rabbit entering a hospice, still refusing to accept her fate, and backed by her family who are determined to save her against all odds. But as the days pass, Rabbit learns to focus on and embrace the present whilst those around her grieve, fight, love and lose. It’s Rabbit’s time to say goodbye and as she slips in and out of consciousness she relives her youth and the short time she got to spend with Johnny Faye, her brother’s best friend, the singer in his band and the love of her life. As she disappears in front of them, Rabbit’s friends and family are forced to reflect on their own lives whilst fighting one another for the right to care for Juliet. But faced with the loss of the only parent she’s ever known, Juliet has her own ideas.
Based on The New York Times article ‘The Lost Children of Tuam’ by Dan Barry, published in 2017. Focusing on history enthusiast Catherine Corless, who whilst researching the Bon Secours Mother and Baby Home in Tuam, County Galway, for a local historical society, uncovered a devastating possibility that as many as 796 children had been buried in unmarked graves on the property.
The discovery rallied a campaign for justice for both victims and survivors of the home. Excavation of the mass grave began in the summer of 2025.
Nestled in the North Sea, between the Northern tip of Scotland and the coasts of Scandinavia, Hel is cloaked in mystery, myth and misogyny. Isolated in a place where the local community despise her, and whilst buried traumas resurface, Anna is torn between the ghosts of the past and the gods of the present. As an ill wind blows through, young girls from this fractured community begin to vanish.
These missing children, her husband’s death and her own trauma become inextricably linked as Anna is haunted by unsettling flashbacks, forcing her to confront dark family secrets lurking in the shadows, before they can devour her daughter too.
