THE METHODISTS, a modern-day Brit Flick full of dark humour set in the heart of England that follows the crazy exploits of two very different hitmen, Harvey and Winks. Both are psychopaths but display their psychopathy in very different ways. THE METHODISTS is set in the modern-day Midlands and will have British 80’s music throughout, giving it a very strong feel.
The plot: the film starts with Harvey and Winks,the two hitmen who have been simply sent to collect a debt and give a guy a slap – but Winks in his lust for violence and his poor eyesight shoots the wrong person which just so happens to be the last remaining son of a powerful family firm, run by the psychotic ‘Mrs Morgan’. This sets off a series of events involving, fight scenes, interspersed with dark British humour, filled with very strong characters and soon to be iconic British scenes. The whole film will be shot mainly in Leicester.
In a time of great ecological, social and economic unravelling, THE WORLD IS FOREST is the profound story of one indigenous family working to heal and transform not just individuals, but whole societies, cultures and ecosystems.
After her mum dies of an overdose, Lizzie unknowingly inherits a large debt to be paid immediately to a local gang. After many years, her father Joe comes back into the picture, just in time to get her out of trouble.
Following a hard Brexit, it's not just the food that has gone bad, it's the blood too. A young English Vampire decides to do what most Brits do when things go bad....EMIGRATE to the Costa del Crime. Then the fun begins!
The bittersweet, comedic and heart-warming story of Academy Award winning actress Patricia Neal’s marriage to best-selling children’s novelist Roald Dahl.
Set between New York, England and Los Angeles at the beginning of the 1960s, focusing on Dahl's struggles to write some of his most famous works and Neal’s return to acting with 'Hud', for which she finally won an Oscar.
Since the end of their pirate radio station, life has been quiet for the Kurupt FM boys, but everything is about to change. News reaches them that one of their songs has been used on a popular game show in Japan. They've made it. Their music is reaching hundreds of thousands of people. It's finally time for them to enjoy the fame and fortune that they've always known they deserved. Chabuddy G steps excitedly back into his management role as Grindah, Beats, Steves and Decoy begin their journey to international stardom - but is Japan really ready for Kurupt FM?
With exclusive access, an atheist films inside Hillsong, the world's fastest growing megachurch whose songs are sung by over 50 million people a week and has become the spiritual home to Justin Bieber and Kendall Jenner. Shot over 4 years and 4 continents, What We Believe illuminates a franchise that’s captured the seduction of social media, with over a billion individual streams of their content a year, but remains tainted by scandals.
An undercover police officer presumed dead is working with a police Chief and retired Judge, to gain evidence against the top criminals, who escape justice because of irregularities in their convictions. Instead he becomes their executioner and executes them with Extreme Justice.
When the wife of Arsenal striker Brian Johnson died in childbirth, Johnson was at the top of his game with the world at his feet. Now, 30 years on, penniless, jobless and living on benefits, he manages the worst Sunday football team ever – the hapless Deportivo Wanka Football Club.
And with a new record five-year losing streak, and no sign of a goal in the last 43 matches, they occupy the unenviable position at the bottom of all of Hackney’s ten leagues and if they end up last again, they’ll be removed from the league forever.
It doesn’t help that the line-up of players include; his estranged son David who had trials with Arsenal but never showed up; Deano the goal keeper with a prosthetic hand and a fear of diving; Pingu, a brilliant but narcoleptic dwarf midfielder and a further assortment of violent, stupid and overweight underachievers more interested in the half-time burger van than scoring a goal.
So when Brian’s life catches up with him in the form of a pitch-side heart attack, he’s brought before a football mad Almighty super-keen on meeting every passing ex-pro and coaching a football team to victory for one game (preferably Manchester United).
Realising that he must do something to right his wrongs, Brian exploits God’s obsession with the beautiful game and makes a deal; he’ll put his soul on the line if God will accompany him back to earth and help coach the team to safety and give Brian one last chance to be a proper Dad to David.
God agrees but there is one immutable rule; If Brian succeeds, he’ll pick up where he left off, but if he fails, his soul goes straight to Lucifer and damnation, the universal law and the price of a second chance.
So Brian and God return to Earth and secure the victory extending Brian's life, but on the cusp of returning to Heaven, God learns that Lucifer has not only taken the vacant managerial position of Deportivos bitterest rivals, Salem FC but also talked Brian into signing over his soul.
God, now feeling guilty for having served up Brian on a plate to the Devil, returns to Earth in recompense to help Brian undo his pact with Lucifer. However Lucifer double crosses the Lord into raising the stakes – and God ends up gambling on not just saving Brian’s soul but the souls of the entire world all on the outcome of one football match.
Now all that stands between Brian and redemption is the Devil. And all that stands between the Devil and seven billion souls is God and the hapless footballing skills of one Deportivo Wanka FC.
The final battle between darkness and light has just been dropped at the feet of a Sunday football team.
God help us.
Martin Dyer is a very ordinary man with a very ordinary life. An insurance Loss Adjuster for many years, he spends his time assessing other people’s problems and ignoring his own. His wife Angie aspires to greater things and when finances hit rock bottom, she leaves him for a suave loan shark one week before Christmas.
Martin is crest fallen but forced into continuing his day by the overly exuberant company secretary, who has scheduled several claims for Martin to validate.
With a heavy heart, Martin sets off but his day drastically goes from bad to worse with a catalogue of extraordinary and humorous encounters with a flirtatious elderly widow, a corrupt Doctor, a lascivious female escort and a dead rat.
It is only at the funeral of a client that Martin has an epiphany; and with the help of his unlikely friendship with a teenage thief and perhaps a sprinkling of Christmas magic, life suddenly changes in a truly remarkable way.
The Loss Adjuster is a Christmas movie, an uplifting feel good black comedy that explores every day issues; aimed at a family audience.
Who killed Wanda Lopez? The young store clerk was brutally hacked to death as she worked at a gas station in Corpus Christi TX one cold November night in 1983.
Six years later, 27 year old Carlos DeLuna was executed for her murder. All along he protested his innocence, refusing to plead guilty. DeLuna said another 'Carlos' did it. At trial the prosecution derided his claim, saying the other Carlos was "A Phantom".
DeLuna was right. The real killer was Carlos Hernandez, a psychopathic drifter with a string of violent assaults on women to his name – a man all too well known to the police and the D.A.
This film conclusively proves that the US judicial system killed an innocent man, uncovering crucial evidence that demonstrates Carlos DeLuna’s innocence, beyond any reasonable doubt.
THE PHANTOM is a searching, enraging examination of one of the darkest episodes in the history of American justice. It shows how a young man from a poor Hispanic background had no chance, faced with a judicial system bent on vengeance. Supreme Court Justices have already said this case calls the death penalty into question. THE PHANTOM proves them right.
Awaiting synopsis
Forthcoming Jonathan Glazer Holocaust film set in the Auschwitz concentration camp.
"I am interested in the bystanders who watched the atrocities unfold... I remember being very taken by the faces of the bystanders, the onlookers, the complicit, you know? Ordinary Germans. I started wondering how it would be possible to stand by and watch that. Some of the faces actually enjoy it. The spectacle of it. The kinda circus of it.”
“A lot of the stories I’ve seen, I do sometimes think they could be set anywhere actually. As soon as you define a plot, you’re sort of somehow relegating Auschwitz as a place and it becomes a context. For me, I don’t want to do that. I just felt that was wrong.” Jonathan Glazer
