Projects

Synopsis

“You are a sky of autumn, pale and rose; But sadness in me rises like the sea" The Eyes of Beauty, Charles Baudelaire, The Flowers of Evil In Greenwich Park, London two lovers stroll and talk about love, their relationship and the making of a film in Venice. The Venice film is shot on 16mm. Venice at dawn is empty and a protagonist sits at the empty San Marco Piazza, is seen walking in a detached manner from the grand sights and facades and interiors of Palazzos into the backstreets. In gilded interiors and painted ceilings, as the winter afternoon light weakens in a soporific atmosphere, she lays in dark interiors with frescoes of Antiquity. Like the Risen, at twilight she walks the alleyways and into the Like the Risen, at twilight she walks the alleyways and into the dark to meet the Devil at dawn. Featuring the actor Pietro Fanelli – the Devil makes a fleeting but impactful appearance, the protagonist offers herself to his gaze and touch. The film follows a path via the remnants of Romanticism and Charles Baudelaire’s The Flowers of Evil in search of beauty, opulence, exotic pleasure and lovers, exemplified by Venice.

Synopsis

Cumbrian poet Emma McGordon wrestles with mental health and class-based barriers as she tries to turn her poem into a film.

Synopsis

In 1497, Prince Richard of Shrewsbury, the youngest of the missing 'Princes in the Tower', faces both his inner demons and the forces of King Henry Tudor during the final days of his conquest for the Throne of England.

Synopsis

The Public have just played the best gig of their lives, and for the first time, someone in a suit is interested. It feels like the moment they have been waiting for, but celebrations quickly descend into chaos. Andy, the band's quiet and devoted guitarist, watches as his dream begins to dissolve around him. A chain reaction is set in motion as secrets are exposed, loyalties shift, and buried tensions explode to the surface. As the night spirals further out of control, the frontman, Ted, is pulled toward a future that could take him away for good. Andy becomes desperate to save Ted from himself and hold everything together, even as it becomes clear that some things will never be the same.

Synopsis

Anna is a single mother balancing work with raising her nine-year-old daughter, Thea, a bright, sensitive child experiencing severe school- related distress and stuck on a three-year waiting list for an autism assessment. At home, Thea is creative, affectionate and deeply vulnerable. At school, her psychological distress is mistaken for truancy, fabrication or bad parenting. As Anna fights for support, she faces mounting scrutiny from the school and local authority. She is blamed for Thea’s behaviour, instructed to attend parenting courses and ultimately served financial fines for repeated “unauthorised absence”. Her daughter’s needs remain unrecognised, the morning routine is reduced to a battle of increasing violence, and Anna is pushed to breaking point. Threatened with criminal prosecution, on the brink of losing her job and now in a state of complete exhaustion, Anna attempts a final school drop- off. Thea, in a state of sensory overwhelm, takes desperate measures to avoid a public meltdown which ends in unspeakable tragedy. Yet, the calls from the school continue: a relentless reminder that, to the system, Anna's young daughter remains little more than another “unauthorised absence”.

Synopsis

St, Mary’s Parish, Jamaica, April 1760, in a cave near what is now known as Tacky Falls, Tacky’s Rebellion is unfolding as the most significant revolt of the eighteenth-century in the Caribbean, three decades before the Haitian Revolution. AN UNIMAGINABLE LEAP traverses loosely associated events and places: 16mm footage of daily life in contemporary Jamaica; caves as portals; and a celebration of Jamaican Independence Day at a cricket club in Manchester. Moments of respite and celebration are negotiated alongside the threat of ecological degradation and bauxite mining, in order to consider the relationship between revolutionary time, the climate emergency and cinematic form. Official Selection BFI London Film Festival 2026

Synopsis

European archival footage from the 1950s documents the life of indigenous, nomadic Sahrawi children and youth in Western Sahara / Morocco. Seventy years later, local young people from Laayoune (El Aaiún) revisit locations that may have appeared in the footage. From ocean to desert to oasis, under trembling starlight, they share their thoughts on life, dreams, and utopia as they search for an uncertain upstream. Official Selection BFI London Film Festival 2026

Synopsis

Loyal butler Jonathan is sent to rescue the failing Blueberry Inn, unaware his blinkered Lord plots to leave it to him and three chaotic staff as a social experiment. When the Lord dies suddenly, Jonathan discovers he's a co-owner of the Inn and has just one month to save it. Battling sabotage from furious heirs, the mismatched team (and a pig!) rally their communities, securing the Inn's future against all odds.

Synopsis

Miles and Angie go back to his flat after a perfect first date. But when she enters, she's struck by the blankness of it; the lack of decoration and furniture. As she explores more of the flat, she becomes more and more disturbed. But when Miles makes her a drink, they settle down to chatting and everything seems fine again. Until she realises he's been lying to her this whole time, about something small that might represent a much bigger threat...

Synopsis

Desperate to escape her decaying coastal town but unable to abandon the grandfather who depends on her, Ori sees a way out when tainted fish wash ashore, but only if she can bring herself to put them on his plate. Official Selection BFI London Film Festival 2026

Synopsis

Filmmaker Patrick Hough journeys through the haunted landscapes of Ireland, where colonial violence, ecological loss and queer desire remain inscribed in the land. Moving between forests, mountains, archives and cruising grounds, the film traces the extinction of the Irish grey wolf alongside the cultural suppression that followed Cromwellian conquest of Ireland. Fragments of history surface through objects and places: a death mask of Oliver Cromwell, medieval myths of werewolves, maps drawn to measure and divide conquered territory, and landscapes where wolves were once hunted to disappearance. These materials are interwoven with contemporary nocturnal scenes of queer gathering and protest, where shame gives way to transformation, pleasure and resistance. Blending essay film, documentary and poetic fiction, LANDSCAPES OF SHAME asks how violence survives in landscapes, language and bodies - and what forms of wildness still remain. Official Selection BFI London Film Festival 2026

Synopsis

As Mike is leaving his London life behind, an old friend reappears to say goodbye. Official Selection BFI London Film Festival 2026