Project Detail

12 Point Kill

Synopsis

Oppressed by her overbearing and violent stepfather, a young woman takes revenge into her own hands.

Details

Year
2018
Type of project
Shorts
Running time
13 min 44 secs
Director
Iain Mitchell
Producer
Deanne Cunningham
Executive Producer
Holly Daniel, Carolynne Sinclair, Paul Welsh
Editor
Claire Pringle
Screenwriter
Iain Mitchell
Director of Photography
David Lidell
Production Designer
Wendy Cairns
Sound
William Aikman
Composer
Hutch Demouilpied
Principal cast
Lauren Grace, Keith McErlean, Shauna Macdonald

Categories

Production Status

Production Company

A Conundrum Films production made with the support of: Creative Scotland, BFI NETWORK. Delivered by Scottish Film Talent Network.

Conundrum Films

Deanne Cunningham

Page updates

This page was last updated on 12th May 2025. Please let us know if we need to make any amendments or request edit access by clicking below.

See also

You may also be interested in other relevant projects in the database.

Ruby Ruby

Director: Iain Mitchell

Year: 2012

Doreen and John live out their days alone. As John’s behaviour becomes increasingly disturbed, Doreen struggles to care for him. On their Ruby wedding anniversary events spiral out of control and, feeling troubled by reminders of the past, Doreen must make a decision about how she will cope.

 About an Intimate Matter About an Intimate Matter

Director: Sandeep Kumar Paul

Year: 2026

Science teacher Swarna and her partner Driti move to a suburban town for a fresh start. When a student leaks intimate photos of Swarna online, school authorities turn her private life into a disciplinary issue. Official Selection Busan International Film Festival 2026 - World premiere

Denzel Baidoo as Marcus, forlorn at the dinner table. Clocks

Director: Yv Shells

Year: 2026

When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.