Projects

Synopsis

1750, Bedlam The worst place on Earth. Jack Slack, a bare knuckle carnival boxer, consumed with rage, fights his way in to the pits of hell to rescue his sister, Sarah from a lifetime of incarceration. Soon trapped and imprisoned himself, his rage and skill at fighting are noticed and he is singled out by the masters of the hospital for a special course of treatment. Meanwhile, Jack still has a plan, if he can only keep the madness at bay.

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GAZA YEAR ZERO tells the story of 13 year old Aboud and his family as they struggle to survive in Gaza during the war.

Synopsis

Katherine Maxwell is an out-of-work actress tumbling through a midlife crisis, all whilst her father's health worsens, her marriage falls apart and her body craves things it shouldn't.

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A Bangladeshi taxi driver in Glasgow spends one long night driving others to the airport while struggling to bring his own family to safety.

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Filmed over seven years in England and the United States, Dance of Identity is an intimate, powerful portrait of love, resilience, and family against the backdrop of a global culture war. The documentary follows Sophie, a British trans woman and amateur ballet dancer, and her partner Sandi, as they build a life together. From Sophie’s triumphant public ballet performances to the couple’s fairytale wedding and the high-stakes birth of their child, their personal joys constantly clash with a shifting political landscape. As politicians and media headlines weaponise trans existence, the couple faces rising hostility, social media attacks, and legal threats to Sophie’s fundamental rights. Yet, through nine years of waiting for gender-affirming healthcare and navigating bureaucratic hurdles, theirs is a story of defiant hope. Dance of Identity reveals the profound impact of political rhetoric on the private sanctuary of a family, ultimately celebrating the triumph of love over systemic adversity.

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A reclusive university student, finds solace through fabricating his life to an ASMR camgirl - but when a fire alarm exposes his lies, he's forced to confront the isolating enclosure he's built around himself - and take his first steps back into the world.

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An intimate portrait of Paolo Avenati, a once-aspiring filmmaker living with a progressive fatal mitochondrial disease, and his fiercely devoted mother, Loretta. As the illness takes over Paolo's mind and body, leaving him completely dependent on his mother, she becomes his voice, revealing the quiet realities of caregiving and anticipatory grief. Moving between moments of tenderness, humour and sorrow, the film traces a mother’s enduring love as she learns that sometimes the deepest expression of love is learning how to let go.

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Imperial Illusions explores how Britain crafted a myth of benevolent empire to justify domination and exploitation, and how, as the empire collapsed, that myth was replaced with a heroic narrative of victory over fascism. The film investigates what happens when a nation buries the violence of its past, and how that denial continues to shape political, social, and cultural realities today. Through the histories of Kenya, India, and Northern Ireland, the documentary uncovers the lasting impact of suppressed memory and asks what it means for both Britain and its former colonies to confront the truths long left in the shadows.

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NOW AGAIN is the first filmic interpretation of Marcel Proust's entire novel 'À la recherche du temps perdu'. Part Three encompasses the volumes of SODOM & GOMORRAH. Filmmaker Richard Philpott stretches narrative form into rich and varied experimental territories, providing a visual feast and sonic immersion, using AI and unique digital production techniques, to reveal the vast panoramic structure of Proust's great masterwork and provide a 21st century foundation for this timeless 20th century epic.

Synopsis

Overwhelmed by grief and anger, a distraught parent arrives at a mosque with a makeshift firebomb, intent on seeking revenge against those believed to be responsible. But as they confront the imam outside the mosque, an unexpected conversation challenges the hatred and begins to unravel the lies fed.

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A Nigerian immigrant in Glasgow loses his right to live and work in the UK and faces deportation, a volatile night with his pregnant Scottish partner spirals into violence, forcing him to confront love, survival, and the brutal cost of belonging.

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Caught between her indigenous Buryat roots—where art is a shamanic window between worlds—and a Western market that treats culture as a commodity, artist Yuma Radne constructs a monumental canvas to confront the psychological distortions of colonization at the edge of an irreversible era. "Either you make art, or you suffer. It’s like a curse." For painter Yuma Radne, the act of creation is not an aesthetic choice, but an ancestral code carried in the blood. Moving from a remote Siberian village to the high-stakes European art world, Yuma finds herself navigating a surreal landscape where sacred cultural identity is rapidly converted into a luxury product. Through intimate studio dialogues and raw philosophical reflections, the film captures the gruelling physical and mental labour behind her graduation masterpiece, The End of Times. Centred around a gargantuan erupting booze (a traditional Buryat dumpling) mutated into an absurd, monumental symbol of a colonised and erased national identity, the film transcends a typical artist portrait. It becomes a vital, cosmic meditation on why humanity continues to create art in the face of systemic collapse—and a powerful testament to an indigenous culture refusing to be reduced to a souvenir.