Sket

Director: Nirpal Bhogal

Year: 2016

When two young parents discover their daughter is a magnet for the supernatural, their lives are turned upside down in their bid to protect her. Little Thea's arrival brings with it terrifying entities that threaten her parents Charlie and James' newly formed family. Panic-stricken they turn to Elizabeth, an occult practitioner of great power, who teaches Thea to control rather than be afraid of the dark forces around her. But Charlie sees her daughter is changing; Thea's newfound confidence unleashes something far more malevolent and terrifying than they have ever encountered. An evocative horror story that takes as its inspiration from the seminal horror films of the 1970s. A chilling insight into the sacrifices we make when we bring a new life into this world. Edinburgh International Film Festival 2016 - World premiere

Director: Sandeep Kumar Paul

Year: 2026

Science teacher Swarna and her partner Driti move to a suburban town for a fresh start. When a student leaks intimate photos of Swarna online, school authorities turn her private life into a disciplinary issue. Official Selection Busan International Film Festival 2026 - World premiere

Director: Yv Shells

Year: 2026

When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.