a river holds a perfect memory
Synopsis
Official Selection International Film Festival Rotterdam (IFFR) 2025 - World premiere
Details
- Year
- 2024
- Type of project
- Shorts
- Running time
- 17 min 18 sec
- Format
- 16mm, archival, lidar
- Director
-
Hope Pearl Strickland
- Producer
- Nuria López de la Oliva Mena, Elizabeth Benjamin
- Editor
- Hope Pearl Strickland, Jennifer Lauren Martin
- Sound
- Felix Taylor
- Composer
- Felix Taylor
Production Status
Production Company
UK, Jamaica co-production
Film and Video Umbrella
35-47 Bethnal Green RoadLondon
E1 6LA
Page updates
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See also
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An Unimaginable Leap
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Year: 2026
St, Mary’s Parish, Jamaica, April 1760, in a cave near what is now known as Tacky Falls, Tacky’s Rebellion is unfolding as the most significant revolt of the eighteenth-century in the Caribbean, three decades before the Haitian Revolution. AN UNIMAGINABLE LEAP traverses loosely associated events and places: 16mm footage of daily life in contemporary Jamaica; caves as portals; and a celebration of Jamaican Independence Day at a cricket club in Manchester. Moments of respite and celebration are negotiated alongside the threat of ecological degradation and bauxite mining, in order to consider the relationship between revolutionary time, the climate emergency and cinematic form. Official Selection BFI London Film Festival 2026
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Year: 2025
A Russian teacher secretly documents his small town school's transformation into a war recruitment center during the Ukraine invasion, revealing the ethical dilemmas educators face amid propaganda and militarization. Official Selection Sundance Film Festival 2025 - World premiere Official Selection CPH DOX 2025 Official Selection Sheffield DocFest 2025 BAFTA Awards 2026 - Winner - Best Documentary Academy Awards 2026 - Winner - Best Documentary Feature
A Season in Secret
Director: Matthew Berka
Year: 2027
A SEASON IN SECRET brings together material both close at hand and far away. It is a meditation on things glimpsed at a distance and the limits of perception. What lies behind the screen is hidden and may only be hinted at through the language of visible images and sounds. The film takes some of its cues from the Japanese aesthetic concept of Yūgen, described in part by the 15th-century aesthetician Zeami Motokiyo: “...to stand upon the shore and gaze after a boat that disappears behind distant islands.”