Project Detail

A Social Call

Synopsis

A Social Call. A drive to the country. A brief bit of business. But it's so easy to forget something, and so difficult to leave - 3 characters, 2 cars, 6 minutes: a wordless black comedy.

Details

Year
2003
Type of project
Shorts
Running time
6 mins 20 secs
Format
35mm, Kodak
Director
Jonathan Romney
Producer
Lisa Marie Russo, Ben Woolford
Editor
Diarmid Scrimshaw
Screenwriter
Jonathan Romney
Director of Photography
N G Smith
Sound
Peter Wobser
Composer
David Douglas
Principal cast
Kevin Doyle, John Surman, Andrew Kotting

Categories

Production Status

Production Company

Tall Stories

Studio 40 Clink St Studios
1 Clink Street
London SE1 9DG
UK

T+44 (0)20 7357 8050

gatepost@tallstories.net

Sales Company

Tall Stories

Studio 40 Clink St Studios
1 Clink Street
London SE1 9DG
UK

T +44 (0)20 7357 8050

gatepost@tallstories.net

Page updates

This page was last updated on 12th May 2025. Please let us know if we need to make any amendments or request edit access by clicking below.

See also

You may also be interested in other relevant projects in the database.

L'Assenza L'Assenza

Director: Jonathan Romney

Year: 2013

A man becomes obsessed by his own double in an Italian film from the early 1960s. In the tradition of supernatural tales of possession, L'Assenza (The Absence) is a film about the fascination that cinema exerts on us - a fascination implicitly narcissistic, morbid, even dangerous.

 About an Intimate Matter About an Intimate Matter

Director: Sandeep Kumar Paul

Year: 2026

Science teacher Swarna and her partner Driti move to a suburban town for a fresh start. When a student leaks intimate photos of Swarna online, school authorities turn her private life into a disciplinary issue. Official Selection Busan International Film Festival 2026 - World premiere

Denzel Baidoo as Marcus, forlorn at the dinner table. Clocks

Director: Yv Shells

Year: 2026

When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.