A Time to Love (Il Tempo Dell'Amore)

Director: Giacomo Campiotti

Year: 2000

Giacomo Campiotti's A Time To Love is a romantic drama spanning 100 years and three different couples. Ciaran Hinds and Juliet Aubrey star in the first episode as two lovers in colonial Africa during the Boer War, whose passionate love affair is frustrated by the conventions of the time. The film then skips to Nazi-occupied Paris, where the relationship between a young French woman and her Russian lover unravels because of her jealousy. Finally, in contemporary Italy, a young girl nurses a teenage boy back to health through her devotion. Campiotti, whose debut Like Two Crocodiles won a Golden Globe nomination for best foreign film in 1995, employed unorthodox means to research his film. Keen to write about love, he asked first friends, then strangers - through a small ad in a newspaper - for stories about love. His only stipulation was that they be real. Sifting through the mountains of letters and notes he was sent, he realised that there were key moments that all the stories shared, which mirrored the seasons of the year. He then teamed up with Alexander Adabachian, with whom he co-wrote Like Two Crocodiles. With financing in place from Italian, French and British sources and a European cast including Ciaran Hinds, Juliet Aubrey and Natacha Regnier, the film cranked up its staggered shoot in late 1998. It premiered at the Locarno Film Festival in 1999.

Director: Sandeep Kumar Paul

Year: 2026

Science teacher Swarna and her partner Driti move to a suburban town for a fresh start. When a student leaks intimate photos of Swarna online, school authorities turn her private life into a disciplinary issue. Official Selection Busan International Film Festival 2026 - World premiere

Director: Yv Shells

Year: 2026

When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.