Age Of Heroes

Director: Adrian Vitoria

Year: 2008

Across the city organised gangs are fighting for control of the lucrative supply of narcotics but supremacy in this violent world is short-lived as younger, hungrier and more ruthless gangs move up. Against this brutal backdrop Ged Brennan, his younger brother Ratter and their crew pursue a dying trade of old time heists, but with two decades of meticulously planned jobs behind them, Ged is planning to turn his back on this life after one final heist. The problem is that Ratter has long since outgrown the needless danger of Ged's blags and has become increasingly desperate to move into the profitable world of drugs, a world that Ged wants nothing to do with. To make the move Ratter knows that he must cut all links with his brother but, for now, he has his own sinister reasons for staying on board. As the make-or-break heist approaches Ged must summon all of his street nous and killer instinct just to survive, and even then he needs friends in low places to ensure that the stains vanish without trace.  

Director: Sandeep Kumar Paul

Year: 2026

Science teacher Swarna and her partner Driti move to a suburban town for a fresh start. When a student leaks intimate photos of Swarna online, school authorities turn her private life into a disciplinary issue. Official Selection Busan International Film Festival 2026 - World premiere

Director: Yv Shells

Year: 2026

When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.