All Trace is Gone, No Clamour for a Kiss

Director: Chris Zhongtian Yuan

Year: 2023

Following the recent death of an artist friend L from home, who allegedly suffered from schizophrenia for more than 15 years, the artist talks to L through an imagined letter exchange, where they confront each other on notions of home, vulnerability, resistance, memory, and fraught relations.  Centering on an architectural model of the artist's childhood room, the film is entirely shot on super 8mm and accompanied by an immersive recording at the artist's home, as well as original music from London-based experimental group Langham Research Centre. The film draws from archival footage from journalistic report on May 1968, early artist filmmakers' home videos, as well as makes references to late 60s structural cinema that prioritises light and space, as an autonomous site for resistance.

Director: Sandeep Kumar Paul

Year: 2026

Science teacher Swarna and her partner Driti move to a suburban town for a fresh start. When a student leaks intimate photos of Swarna online, school authorities turn her private life into a disciplinary issue. Official Selection Busan International Film Festival 2026 - World premiere

Director: Yv Shells

Year: 2026

When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.