Alo

Director: Xenia Glen

Year: 2024

An experimental film that recreates the experiences of dementia through spoken word, documentary, dramatic reconstruction, and never-before-seen deteriorated archival footage: 16mm films from the 1930s to the 1960s, featuring major historical events and world travel. THE MEMORY BOOM is framed from inside the mind of Pops, a hospitalised grandfather with severe dementia. The decayed footage serves as a visual exploration of Pops' memories. Pops' grandson narrates from his bedside, attempting to preserve Pops' memories while struggling to comprehend memory loss. Pops' confused thoughts rise to the surface, and he shares them with his grandson as if it were 'storytime' leading him down rivulets of muddled tales and garbled memories spanning his lifetime. Pops' Filipina nurse supports the grandson, sharing her inability to care for her own dementia-affected father in the Philippines. The film charts the trio's journeys through emotional turmoil, leading to a deeper understanding of the nuances of memory. THE MEMORY BOOM was created with documentary participants from community groups across rural England and features anonymously donated archival materials, courtesy of Exeter Phoenix. The film was made in memory of the filmmakers’ relatives who lived with dementia, and explores memory preservation and photographic consent. Official Selection PÖFF - Tallinn Black Nights Film Festival 2024 - World premiere

Director: Sandeep Kumar Paul

Year: 2026

Science teacher Swarna and her partner Driti move to a suburban town for a fresh start. When a student leaks intimate photos of Swarna online, school authorities turn her private life into a disciplinary issue. Official Selection Busan International Film Festival 2026 - World premiere

Director: Yv Shells

Year: 2026

When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.