Amsterdam Express

Director: Fatmir Koçi

Year: 2017

Mickey, an illegal Albanian who used to live in London, is a part time Elvis Presley impersonator. He gets a job entertaining British peacekeeping troops in the 1999 Balkans wars. When backstage problems ensue, Mickey (dressed as Elvis Presley) flees - straight into the war zone. He meets and is captured by a group of children refugees caught up in the merciless war. To save his skin he lies and tells them he is a United Nations doctor. The kids put a gun to his head and tell Mickey to take them to the UN refugee camp or they’ll shoot him. When they reach the camp, it is marooned between the warring factions. To stop the fighting Mickey puts on his guitar and sings as Elvis as he walks onto the battlefield. It works: but Mickey is now himself, not Elvis. He buries the white jumpsuit and begins to walk home, but in fact he has no home.

Director: Sandeep Kumar Paul

Year: 2026

Science teacher Swarna and her partner Driti move to a suburban town for a fresh start. When a student leaks intimate photos of Swarna online, school authorities turn her private life into a disciplinary issue. Official Selection Busan International Film Festival 2026 - World premiere

Director: Yv Shells

Year: 2026

When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.