Anazapta

Director: Alberto Sciamma

Year: 2003

'Me? Take it easy now, calm down. It couldn't be me, it couldn't be me! I mean if you don't know yourself who do you know? But the blood - It seemed crazy but how else could I be sure? So I set the camera up, tied myself to the bed and lay there, waiting - Guess I must have nodded off somehow, 'cos the next thing I know it's morning and I'm there just where I left myself. No problem, I'm telling myself, no problem - Then I played the tape. I just couldn't take it in. Me, a fuzzy black and white image in pyjamas, getting out of bed, leaving the room.' Leonard Grey, superintendent of Jericho Mansions. His world may be small but he cares for every inch of it. The fading wallpaper in the entrance hall, the ageing carpet on the stairs, the clank of the elevator and above all, the faint but continuous refrain of lives being lived around him - For the last thirty years the building has been his universe. Beyond the front door of the apartment block lies a terrifying agoraphobic nightmare into which, for as long as he can remember, he has never dared to venture. But Leonard's sanctuary is beginning to crumble; forces are conspiring to kick him out. Constant accusations by Lily Melnik, the landlady, of stealing worthless items from her apartment, stirrings of discontent among the residents, infidelities and finally a murder. Bill Cherry, one of the building's inhabitants is found dead, his body thrown down the garbage chute. Though the cops believe they have their killer and motive - a jealous tenant taking revenge on his wife's lover - Leonard begins to discover clues that point to a different kind of killer. Himself.

Director: Sandeep Kumar Paul

Year: 2026

Science teacher Swarna and her partner Driti move to a suburban town for a fresh start. When a student leaks intimate photos of Swarna online, school authorities turn her private life into a disciplinary issue. Official Selection Busan International Film Festival 2026 - World premiere

Director: Yv Shells

Year: 2026

When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.