Apostasy
Synopsis
Written and directed by Daniel Kokotajlo, a former Jehovah’s Witness, 'Apostasy' is a remarkable and authentic debut film, providing rare insight into the complex nature of faith, family, duty and love.
Official Selection Toronto International Film Festival 2017 - World Premiere
Official Selection BFI London Film Festival 2017 - First Feature Competition
Details
- Year
- 2017
- Type of project
- Features
- Running time
- 96 min
- Director
-
Daniel Kokotajlo 1st Feature
- Producer
- Marcie MacLellan, Andrea Cornwell
- Executive Producer
- Christopher Moll, Steve Jenkins, Lizzie Francke, Jim Reeve, Christopher Granier-Deferre
- Editor
- Napoleon Stratogiannakis
- Screenwriter
- Daniel Kokotajlo
- Director of Photography
- Adam Scarth
- Production Designer
- John Ellis
- Sound
- Rerecording Mixer: Howard Bargroff; Sound Recordist: Dave Ratcliffe
- Composer
- Matthew Wilcock
- Principal cast
- Siobhan Finneran, Sacha Parkinson, Molly Wright, Robert Emms
Genre
Categories
Production Status
Production Company
A Frank & Lively production with development support from Creative England, BFI and BBC Films through iFeatures
Frank & Lively
Marcie MacLellanCambridge Heath Road
London
E1 5QJ
Sales Company
Cornerstone Films
30 St Marys GardensLondon
SE11 4UF
Page updates
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See also
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Clocks
Director: Yv Shells
Year: 2026
When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.