Appendix: Love
Synopsis
Details
- Year
- 2027
- Type of project
- Shorts
- Running time
- 14 min 30 sec
- Format
- Digital, 4K
- Director
-
Riad Arfin
- Producer
- Charlotte Hailstone, Olivia Gifford
- Executive Producer
- Carolynne Sinclair Kidd, Holly Daniel, Kieran Hannigan, Bella Barber-Fleming
- Editor
- Mahde Hasan
- Screenwriter
- Riad Arfin
- Director of Photography
- Vincenzo Marranghino
- Production Designer
- Urtė Rusteikaitė
- Sound
- Aidan McDonach, William Aikman
- Principal cast
- Ramzan Miah, Maria Kayum
Genre
Categories
Production Status
Production Company
Hailstone Films
Charlotte HailstoneSales Company
c/o Charlotte Hailstone
Hailstone FilmsPage updates
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See also
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A Border Between Us
Director: Riad Arfin
Year: 2023
“A Border Between Us” is a short creative documentary about the struggle and difficulties to find a place to make home for a couple from two different countries. One of them will always have to sacrifice to be together and what cost does it take to make it work? Edinburgh International Film Festival 2023 Bridging the Gap - World premiere
About an Intimate Matter
Director: Sandeep Kumar Paul
Year: 2026
Science teacher Swarna and her partner Driti move to a suburban town for a fresh start. When a student leaks intimate photos of Swarna online, school authorities turn her private life into a disciplinary issue. Official Selection Busan International Film Festival 2026 - World premiere
Clocks
Director: Yv Shells
Year: 2026
When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.