Bait Room

Director: Vincent Woods

Year: 2020

Martin Dyer is a very ordinary man with a very ordinary life. An insurance Loss Adjuster for many years, he spends his time assessing other people’s problems and ignoring his own. His wife Angie aspires to greater things and when finances hit rock bottom, she leaves him for a suave loan shark one week before Christmas. Martin is crest fallen but forced into continuing his day by the overly exuberant company secretary, who has scheduled several claims for Martin to validate. With a heavy heart, Martin sets off but his day drastically goes from bad to worse with a catalogue of extraordinary and humorous encounters with a flirtatious elderly widow, a corrupt Doctor, a lascivious female escort and a dead rat. It is only at the funeral of a client that Martin has an epiphany; and with the help of his unlikely friendship with a teenage thief and perhaps a sprinkling of Christmas magic, life suddenly changes in a truly remarkable way. The Loss Adjuster is a Christmas movie, an uplifting feel good black comedy that explores every day issues; aimed at a family audience.

Director: Sandeep Kumar Paul

Year: 2026

Science teacher Swarna and her partner Driti move to a suburban town for a fresh start. When a student leaks intimate photos of Swarna online, school authorities turn her private life into a disciplinary issue. Official Selection Busan International Film Festival 2026 - World premiere

Director: Yv Shells

Year: 2026

When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.