Beowulf and Grendel

Director: Sturla Gunnarsson

Year: 1998

Such a Long Journey is an intricately layered, wryly humorous novel set in Bombay in 1971, the year India went to war over the fate of what was to become Bangladesh. A hard working bank clerk, Gustad Noble, is a devoted family man who gradually sees his modest life unravelling. His young daughter, Roshan, falls ill in spite of his and his wife's ministrations; his promising son defies reasonable voice amid the ongoing dramas of his habitually quarrelsome neighbours. One day Gustad receives a letter from an old friend, now working for a CIA-like branch of Indira Gandhi's government asking him to help in what seems like a heroic mission. In his innocence, and with feelings of loyalty to his friend, Gustad uneasily agrees. He soon finds himself over his head and alone in his unwitting complicity as he is drawn deeper into a dangerous network of deception. Gustad's quiet dignity, his sense of moral order, have luminous presence in the sometimes antique world of his friends and acquaintances including the medicine lady, Miss Kutpitia, who suggests elaborate medical spells; the lame and child-like Tehmul; Dinshawji, Gustad's bumptious co-worker and friend, whose flirtation with the new typist goes too far. Compassionate, broad in its vision, and rich in details of character and place, this is a mature and rewarding saga that charts the journey of a moral heart in a turbulent world of change.

Director: Sandeep Kumar Paul

Year: 2026

Science teacher Swarna and her partner Driti move to a suburban town for a fresh start. When a student leaks intimate photos of Swarna online, school authorities turn her private life into a disciplinary issue. Official Selection Busan International Film Festival 2026 - World premiere

Director: Yv Shells

Year: 2026

When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.