Better Things
Synopsis
Details
- Year
- 2008
- Type of project
- Features
- Running time
- 90 mins
- Format
- 35mm
- Director
-
Duane Hopkins 1st Feature
- Producer
- Christopher Collins, Peter Carlton, Paul Trijbits, Lizze Franke, Helge Albers, Alastair Clark, Alexander O' Neal, David Smith
- Co-Producer
- Christopher Collins, Peter Carlton, Paul Trijbits, Lizze Franke, Helge Albers, Alastair Clark, Alexander O' Neal, David Smith
- Editor
- Chris Barwell
- Screenwriter
- Duane Hopkins
- Director of Photography
- Lol Crawley
- Production Designer
- Jamie Leonard
- Sound
- Patrick Owen
- Principal cast
- Liam McIlfatrick, Che Corr, Tara Ballard, Megan Palmer, Kurt Taylor, Rachel McIntyre, Patricia Loveland, Frank Bench, Betty Bench
Genre
Categories
Production Status
Production Company
Third Films Ltd
3 Heaton GroveNewcastle upon Tyne NE6 5NN
UK
T +44 (0)7866 559541
Wellington Films Ltd
Broadway Media Centre14-18 Broad Street
Nottingham
NG1 3AL
T +44 (0)115 8400043
Flying Moon Filmproduction
Helge AlbersT +49 (0)303 22971 80
Brocken Spectre Ltd
David SmithT +44 (1) 0141 287 9224
Sales Company
Celluloid Dreams
2 Rue Turgot75009 Paris
France
T +33 1 49 70 03 70
Page updates
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Clocks
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When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.