Black Death

Director: Chris Smith

Year: 2024

Acclaimed filmmaker Chris Smith (Wham!, Fyre, 100 Foot Wave, and Jim & Andy: The Great Beyond) captures the gloriously radical spirit that is DEVO – a rare band founded by a philosophy; a Dada experiment of high art meets low, hellbent on infiltrating American popular culture. Through never-before-seen archival and interviews with Mark Mothersbaugh, Bob Mothersbaugh, and Jerry Casale, Devo relishes in the highs, lows, surreal moments and incredible performances of a 50-year career, embracing the spectacle of the band from their lo-fi beginnings to pioneers of the music video in the early days of MTV’s cultural dominance. Band members are open with their memories and archives, charting their origins as Kent State University arts students shaped by the activism of the late 1960s. Following the 1970 massacre on their campus, the band’s concept of cultural “De-Evolution” turned from satirical humor to urgent social commentary, and what began as subversive counterprogramming to KSU’s 1973 arts festival would go on to warn of, comment on, and reflect back the absurdism of the late 20th century. Finding mainstream success at the height of 1980s consumerism, Devo soundtracked the De-Evolution they’d long predicted – and influenced a 21st century they’d have never believed. Official Selection Sundance Film Festival 2024 - Premieres - World premiere

Director: Sandeep Kumar Paul

Year: 2026

Science teacher Swarna and her partner Driti move to a suburban town for a fresh start. When a student leaks intimate photos of Swarna online, school authorities turn her private life into a disciplinary issue. Official Selection Busan International Film Festival 2026 - World premiere

Director: Yv Shells

Year: 2026

When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.