Black Sun

Director: Gary Tarn

Year: 2011

In The Prophet, BAFTA-nominated director and composer Gary Tarn (Black Sun, 2005) takes Kahlil Gibran’s classic novel and spins it into a cinematic exploration of love, life and loss. An intimate narration, performed by the British actress Thandie Newton, is integrated into a minimal score for orchestra, guitar, cello and synthesiser. This fictional text is juxtaposed against footage shot on Tarn’s solo travels to Lebanon, Serbia, New York, Milan and London. Finding beauty in the everyday, the film leaves space for each viewer to find their own meaning : an uninhibited eye observing the world through the lens of poetic wisdom. First published in 1923, The Prophet, Gibran's hugely popular guide to living, has sold millions of copies worldwide and was the bible of the 60's counter-culture. It continues to be read and to inspire people around the world today.

Director: Sandeep Kumar Paul

Year: 2026

Science teacher Swarna and her partner Driti move to a suburban town for a fresh start. When a student leaks intimate photos of Swarna online, school authorities turn her private life into a disciplinary issue. Official Selection Busan International Film Festival 2026 - World premiere

Director: Yv Shells

Year: 2026

When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.