Black White and Green
Synopsis
Black White and Green uses a mixture of 'live' action and computer-generated imagery to transform humble food into the terrain of a world in miniature.
Details
- Year
- 2006
- Type of project
- Shorts
- Running time
- 7 mins 50 secs
- Format
- Beta SP
- Director
-
Ian Bourn
- Producer
- Ian Bourn
- Editor
- Ian Bourn
- Screenwriter
- Ian Bourn
- Director of Photography
- Patrick Duval
- Sound
- Graeme Miller
- Composer
- Graeme Miller
- Principal cast
- Eileen Bourn, John Ellis, Dave Bourn, Ian Bourn
Genre
Categories
Production Status
Production Company
Ian Bourn
ian@bourn1.demon.co.uk
Sales Company
Lux
3rd Floor, 18 Shacklewell LaneLondon E8 2EZ
UK
T+44 (0)20 7503 3980
Page updates
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See also
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Black, White and Green – The Way of Pie
Director: Ian Bourn
Year:
In the setting of a traditional London eel and pie house, solitary diners ponder their steaming dinners, each glimpsing a personal landscape within the food on the plate. A meditation on the aesthetics of pie, mash and green liquor, and an exploration of the terrain and a revelation of what wriggles just below the surface.
About an Intimate Matter
Director: Sandeep Kumar Paul
Year: 2026
Science teacher Swarna and her partner Driti move to a suburban town for a fresh start. When a student leaks intimate photos of Swarna online, school authorities turn her private life into a disciplinary issue. Official Selection Busan International Film Festival 2026 - World premiere
Clocks
Director: Yv Shells
Year: 2026
When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.