Bog
Synopsis
Details
- Year
- 2000
- Type of project
- Shorts
- Director
-
David Bryant
Categories
Production Status
Production Company
All-Dayer Filmworks
40 Graham Mansions, Graham RoadHackney
London E8 1EY, UK
T 07967 325736
david@dbryant2.fsnet.co.uk
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See also
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Victims
Director: David Bryant
Year: 2011
As a camera rolls the van doors burst open. A man is bundled into the van by the balaclava clad kidnappers and handcuffed to the floor. As they drive, the man is questioned about his past and accused of a crime he maintains he did not commit. In real time the drama unfolds, documented by the kidnappers as truth is revealed and the lines blur between the hijacker and victim... What are the kidnappers motives, where are they taking him and what is the truth? Victims is a taught realistic drama played out in one long take on the kidnappers camcorder as we watch a kidnap scenario played out to its ultimate conclusion ...
About an Intimate Matter
Director: Sandeep Kumar Paul
Year: 2026
Science teacher Swarna and her partner Driti move to a suburban town for a fresh start. When a student leaks intimate photos of Swarna online, school authorities turn her private life into a disciplinary issue. Official Selection Busan International Film Festival 2026 - World premiere
Clocks
Director: Yv Shells
Year: 2026
When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.