Borderland
Synopsis
Her work in a Kurdish community centre helping Kurdish asylum seekers heightens the stresses and strains on her relationship with Onur. Far away from home and in a foreign land, she is struggling to make some sense of her own identity.
Details
- Year
- 2010
- Type of project
- Shorts
- Running time
- 22 mins
- Format
- Mini DV
- Director
-
Caterina Monzani
- Producer
- National Film and Television School
- Co-Producer
- National Film and Television School
- Editor
- Josh Levinski
- Director of Photography
- Caterina Monzani
- Sound
- Jeet Thakrar
Categories
Production Status
Production Company
National Film and Television School
Sales Company
National Film and Television School
www.nftsfilm-tv.ac.uk
Page updates
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See also
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The Love Bureau
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Year: 2010
Bettina runs the marriage agency Maruska. She's a modern day Cupid who specializes in Italian men and Eastern European women. Aldo, a timid banker, has married beautiful Svetlana but Piero can't find a woman of the right height. A bitter sweet tale about internet dating, the fall of Communism and finding love in the 21st Century. http://www.nftsfilm-tv.ac.uk/index.php?module=Film&action=Film&film_id=319
About an Intimate Matter
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Year: 2026
Science teacher Swarna and her partner Driti move to a suburban town for a fresh start. When a student leaks intimate photos of Swarna online, school authorities turn her private life into a disciplinary issue. Official Selection Busan International Film Festival 2026 - World premiere
Clocks
Director: Yv Shells
Year: 2026
When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.