Bugsy Malone
Synopsis
Official Selection Cannes Film Festival 2017 - Cinéma de la Plage
Details
- Year
- 1976
- Type of project
- Features
- Running time
- 93 mins
- Director
-
Alan Parker
- Producer
- Alan Marshall
- Executive Producer
- David Puttnam, Robert Stigwood
- Editor
- Gerry Hambling
- Screenwriter
- Alan Parker
- Director of Photography
- Peter Biziou, Michael Seresin
- Production Designer
- Geoffrey Kirkland
- Composer
- Paul Williams
- Principal cast
- Scott Baio, Jodie Foster, Florrie Dugger, John Cassisi, Martin Lev, Paul Murphy, Sheridan Russell
- Costume Designer
- Monica Howe
- Choreographer
- Gillian Gregory
- Film Images
- Courtesy of Park Circus / ITV Studios
Genre
Categories
Production Status
Production Company
The Rank Organisation (UK) presents a Goodtimes Enterprises (UK), Bugsy Malone Productions (UK), Robert Stigwood Organization (US), National Trustee Company (UK) production in association with National Film Finance Consortium (UK)
Sales Company
Park Circus
15 Woodside CrescentGlasgow
G3 7UL
Page updates
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See also
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Angela's Ashes
Director: Alan Parker
Year: 2000
In 1935, when it was more common for Irish families to leave their famine-stricken country for America, the impoverished McCourt family does the reverse. Angela and her alcoholic husband Malachi set sail from New York Harbour to Cork with their four children, Frank, Malachy Jr. and twins Eugene and Oliver to a land which a mystified young Frank had only heard of as 'where there was no work and people were dying of the starvation and the damp'. A cold greeting awaits them in Limerick by Angela's Catholic family. Grandma lends them money for a small place but any hope of their luck changing soon disappears with Dad not being able to find employment, and Oliver and Eugene dying from malnourishment and the damp. Dad's spirits sink lower and he drowns his sorrows in alcohol. Edinburgh Film Festival - nbx write up: As soon as he finished reading Frank McCourt's Angela's Ashes, the devastating portrayal of a child growing up in Ireland, British film-maker Alan Parker tried to option the film rights. Although they had already been acquired by US producers David Brown and Scott Rudin, Parker soon signed on as director, taking a production credit via his London-based Dirty Hands Productions. The director then updated the first draft of the script written by Australian writer Laura Jones. "Adapting any famous literary work is problematic in that, in the compression to a manageable cinematic shape, inevitably, certain characters and situations will be excluded," Parker said. At that time in 1998, Dirty Hands had a first-look deal with PolyGram Filmed Entertainment, now known as Universal Pictures International (UPI). UPI agreed to back the project along with Paramount Pictures. With two-times Academy Award nominee Emily Watson and Robert Carlyle in place as the leads, and three boys cast for the three ages of Frank, production began in September 1998. "Our film had the advantage of being financed by two studios and so we had the luxury of moving this huge travelling circus around Ireland," says Parker. The team decided to shoot in Dublin and Cork as well as Limerick, the western Irish town where the majority of the book is set. "It was obvious that a patchwork quilt, a mosaic of different places, would have to be put together to accurately replicate the Limerick of 50-odd years ago," says Parker. Angela's Ashes wrapped in December 1998 after a 75-day shoot. It was released in the US in December 1999.
About an Intimate Matter
Director: Sandeep Kumar Paul
Year: 2026
Science teacher Swarna and her partner Driti move to a suburban town for a fresh start. When a student leaks intimate photos of Swarna online, school authorities turn her private life into a disciplinary issue. Official Selection Busan International Film Festival 2026 - World premiere
Clocks
Director: Yv Shells
Year: 2026
When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.