Burn on Arrival
Synopsis
Forced to follow a series of bizarre and deadly instructions contained in red envelopes, he is soon stranded in the wilderness, with his fate bound to that of a stranger - a woman he finds caught in the same brutal game.
Details
- Year
- 2021
- Type of project
- Shorts
- Running time
- 18 min 59 sec
- Director
-
Owen Gower
- Producer
- Mark Lacey, Sinead Kirwan, Roisin Kelly
- Executive Producer
- Tibo Travers
- Editor
- Roddy McDonald
- Screenwriter
- Owen Gower
- Director of Photography
- Steve Cardno
- Production Designer
- Gail Bowman
- Sound
- Alan Henry
- Principal cast
- Kate Dickie, James Harkness
Categories
Production Status
Production Company
Enemy Films
23 Powerscroft RoadLondon
E5 0PU
Page updates
This page was last updated on 12th May 2025. Please let us know if we need to make any amendments or request edit access by clicking below.
See also
You may also be interested in other relevant projects in the database.
Still The Enemy Within
Director: Owen Gower
Year: 2014
The Enemy Within is a unique insight into one of history’s most dramatic events: the 1984-85 British Miners’ Strike. No experts. No politicians. Thirty years on, this is the raw first-hand experience of those who lived through Britain’s longest strike. Follow the highs and lows of that life-changing year.
About an Intimate Matter
Director: Sandeep Kumar Paul
Year: 2026
Science teacher Swarna and her partner Driti move to a suburban town for a fresh start. When a student leaks intimate photos of Swarna online, school authorities turn her private life into a disciplinary issue. Official Selection Busan International Film Festival 2026 - World premiere
Clocks
Director: Yv Shells
Year: 2026
When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.