Project Detail

Burn on Arrival

Synopsis

Christmas, 1995. As Scotland reels from a devastating loss of industry, a man is trapped in an escalating nightmare.
Forced to follow a series of bizarre and deadly instructions contained in red envelopes, he is soon stranded in the wilderness, with his fate bound to that of a stranger - a woman he finds caught in the same brutal game.

Details

Year
2021
Type of project
Shorts
Running time
18 min 59 sec
Director
Owen Gower
Producer
Mark Lacey, Sinead Kirwan, Roisin Kelly
Executive Producer
Tibo Travers
Editor
Roddy McDonald
Screenwriter
Owen Gower
Director of Photography
Steve Cardno
Production Designer
Gail Bowman
Sound
Alan Henry
Principal cast
Kate Dickie, James Harkness

Categories

Production Status

Production Company

Enemy Films

23 Powerscroft Road
London
E5 0PU

Page updates

This page was last updated on 12th May 2025. Please let us know if we need to make any amendments or request edit access by clicking below.

See also

You may also be interested in other relevant projects in the database.

Still The Enemy Within Still The Enemy Within

Director: Owen Gower

Year: 2014

The Enemy Within is a unique insight into one of history’s most dramatic events: the 1984-85 British Miners’ Strike. No experts. No politicians. Thirty years on, this is the raw first-hand experience of those who lived through Britain’s longest strike. Follow the highs and lows of that life-changing year.

 About an Intimate Matter About an Intimate Matter

Director: Sandeep Kumar Paul

Year: 2026

Science teacher Swarna and her partner Driti move to a suburban town for a fresh start. When a student leaks intimate photos of Swarna online, school authorities turn her private life into a disciplinary issue. Official Selection Busan International Film Festival 2026 - World premiere

Denzel Baidoo as Marcus, forlorn at the dinner table. Clocks

Director: Yv Shells

Year: 2026

When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.