By The Grace of God
Synopsis
A tapestry of feelings and ideas reveals a man who is simultaneously illuminated and tragic, who lives in the cracks of reality.
Details
- Year
- 2010
- Type of project
- Shorts
- Running time
- 37 mins
- Format
- 16mm, Hi8
- Director
-
Ralitza Petrova
- Producer
- Michelle Eastwood
- Editor
- Hazel Baillie
- Screenwriter
- Ralitza Petrova
- Director of Photography
- Dan Stafford-Clark
- Production Designer
- James Spencer
- Sound
- Gunnar Oskarsson
- Composer
- Stuart Earl
- Principal cast
- Artur Albrecht
Genre
Categories
Production Status
Production Company
NFTS
Hemant ShardaStation Road
Beaconsfield, HP9 1LG
UK
T +44 (0)1494 671234
Sales Company
NFTS
Hemant ShardaStation Road
Beaconsfield, HP9 1LG
UK
T +44 (0)1494 671234
Page updates
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See also
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Rotten Apple
Director: Ralitza Petrova
Year: 2008
Growing up on a deserted farm a precocious boy spends his days contemplating the ironies of his austere life with his father. Lost in despair and frustration his father has no time for affection and the two hardly ever speak. One day a mysterious woman visits the farm and the men’s estrangement spirals into a rivalry for mother’s love. Her transient passing makes them realise something about themselves.
About an Intimate Matter
Director: Sandeep Kumar Paul
Year: 2026
Science teacher Swarna and her partner Driti move to a suburban town for a fresh start. When a student leaks intimate photos of Swarna online, school authorities turn her private life into a disciplinary issue. Official Selection Busan International Film Festival 2026 - World premiere
Clocks
Director: Yv Shells
Year: 2026
When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.