Calling You
Synopsis
Details
- Year
- 2026
- Type of project
- Shorts
- Running time
- 14 min 53 sec
- Format
- Digital
- Director
-
Daniel Howard-Baker
- Producer
- Daniel Howard-Baker
- Editor
- Daniel Howard-Baker
- Screenwriter
- Daniel Howard-Baker
- Director of Photography
- Louis Holder
- Sound
- Isabell Derr, Sam McLoughlin
- Principal cast
- Ray Redmond, Drew Lucia and Isabelle Clarke
- Other Lead Creative(s)
- Dancer: Elle Hood, Caitlin Gibbeson, Christopher Hodkinson
- Dance Choreographer
- Chloe Fear
- Camera Operator
- Louis Holder
- Steady-cam Operator
- Sam Cox
- Camera Assistant
- Sam Cox
- Camera Assistant
- Steve Todd
- Stills Photographer
- Gavin Parsons
- Hair and Make-up Artist
- Cristie Bowcher-Ryce
- Production Assistant
- Harry Houlberg
- Production Assistant
- Steve Todd
- Production Assistant
- Bess Howard-Baker
- Location Manager
- Rachel McGowan
- Post Producer
- Louis Holder
- Colourist
- Zain Harris
- Sound Designer
- Isabell Derr
- Sound Recordist / Boom Operator
- Sam McLoughlin
Genre
Categories
Production Status
Production Company
HB Productions
Daniel Howard-BakerPage updates
This page was last updated on 28th April 2026. Please let us know if we need to make any amendments or request edit access by clicking below.
See also
You may also be interested in other relevant projects in the database.
W : A Return to Oz
Director: Daniel Howard-Baker
Year: 2025
Locked and loaded with film tape, a man explores an abandoned rave house, once known as The Warehouse, that was once the beating heart of the South West’s clubland.
About an Intimate Matter
Director: Sandeep Kumar Paul
Year: 2026
Science teacher Swarna and her partner Driti move to a suburban town for a fresh start. When a student leaks intimate photos of Swarna online, school authorities turn her private life into a disciplinary issue. Official Selection Busan International Film Festival 2026 - World premiere
Clocks
Director: Yv Shells
Year: 2026
When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.