Caravaggio
Synopsis
Details
- Year
- 1986
- Type of project
- Features
- Running time
- 93 mins
- Format
- Digitally remastered from 35mm
- Director
-
Derek Jarman
- Producer
- Sarah Radclyffe
- Executive Producer
- Colin MacCabe
- Editor
- George Akers
- Screenwriter
- Derek Jarman
- Director of Photography
- Gabriel Beristain
- Production Designer
- Christopher Hobbs
- Composer
- Simon Fisher Turner
- Principal cast
- Nigel Terry, Sean Bean, Garry Cooper, Dexter Fletcher, Spencer Leigh, Tilda Swinton, Nigel Davenport, Robbie Coltrane, Michael Gough
Genre
Categories
Production Status
Production Company
BFI Production Board
21 Stephen StreetLondon
W1T 1LN
In Association with Channel Four Television
Sales Company
HanWay Films
24 Hanway StLondon W1T 1UH
UK
Tel: +44 (0)20 7290 0750
Fax: +44 (0)20 7290 0751
Page updates
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See also
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The Garden
Director: Derek Jarman
Year: 1990
Based on the Gospels of Matthew and Luke, Derek Jarman's nearly wordless visual narrative intercuts two main stories and a couple of minor ones. A woman, perhaps the Madonna, brings forth her baby to a crowd of intrusive paparazzi; she tries to flee them. Two men who are lovers marry and are arrested by the powers that be. The men are mocked and pilloried, tarred, feathered, and beaten. Loose in this contemporary world of electrical-power transmission lines is also Jesus. The elements, particularly fire and water, content with political power, which is intolerant and murderous. THE GARDEN was originally screened in the Forum programme of the Berlinale in 1991, garnering an OCIC Award - Honourable Mention. Official Selection Berlinale 2019 - Forum Archival Constellations
About an Intimate Matter
Director: Sandeep Kumar Paul
Year: 2026
Science teacher Swarna and her partner Driti move to a suburban town for a fresh start. When a student leaks intimate photos of Swarna online, school authorities turn her private life into a disciplinary issue. Official Selection Busan International Film Festival 2026 - World premiere
Clocks
Director: Yv Shells
Year: 2026
When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.