Conclave

Director: Edward Berger

Year: 2025

When his past and his debts start to catch up with him, a high-stakes gambler laying low in Macau encounters a kindred spirit who might just hold the key to his salvation. In his green velvet suit and kid gloves, with his pencil moustache and posh accent, Lord Freddy Doyle plays the part of the international high roller, living the lush life at a luxury hotel in Macao. But a closer look suggests Doyle’s situation is more desperate than it appears. He’s behind on his room payments, can’t find a casino that will give him credit, and he’s deep in debt to a dubious local character. Doyle came to Macao because here, as a “foreign ghost” who no one knows, he can reinvent himself. But Cynthia Blithe knows who he really is - and what he’s running from. A sympathetic casino hostess may be able to help Doyle escape his mounting problems. But is there anywhere left for him to go? (TIFF 2025) Official Selection Telluride Film Festival 2025 - World premiere Official Selection Toronto International Film Festival 2025 Official Selection San Sebastián International Film Festival 2025 - European premiere Official Selection BFI London Film Festival 2025

Director: Sandeep Kumar Paul

Year: 2026

Science teacher Swarna and her partner Driti move to a suburban town for a fresh start. When a student leaks intimate photos of Swarna online, school authorities turn her private life into a disciplinary issue. Official Selection Busan International Film Festival 2026 - World premiere

Director: Yv Shells

Year: 2026

When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.