Project Detail

Cyn Elo'r Haul (Day's End)

Synopsis

As the sun sets on a busy day in the Welsh capital, Nia and Meredydd return home to prop-up their relationship and cosy, metropolitan lifestyle with another evening of evasive conversation, each fearing a truth that may, in fact, set them both free and revive their once happy marriage.

Details

Year
2004
Type of project
Shorts
Running time
8 mins 51 secs
Format
DigiBeta
Director
Arwel Gruffydd
Producer
Arwel Gruffydd
Editor
Amanda McGregor
Screenwriter
Arwel Gruffydd
Director of Photography
Dylan Wyn Williams
Sound
Christian Czako, Dafydd Jones
Composer
Epitaff, Gogz
Principal cast
Delyth Eirwyn, Huw Davies

Categories

Production Status

Production Company

Arwel Gruffydd

54 Glynne Street
Cardiff CF11 9NS, Wales
UK

T +44 (0)29 2063 8721

arwel.gruffydd@ntlworld.com

Sales Company

Arwel Gruffydd

54 Glynne Street
Cardiff CF11 9NS, Wales
UK

T +44 (0)29 2063 8721

arwel.gruffydd@ntlworld.com

Page updates

This page was last updated on 12th May 2025. Please let us know if we need to make any amendments or request edit access by clicking below.

See also

You may also be interested in other relevant projects in the database.

Amser Chwarae (Playtime) Amser Chwarae (Playtime)

Director: Arwel Gruffydd

Year: 2006

A beleaguered young teacher, troubled by his own identity, is unable to intervene when he witnesses the homophobic bullying of a boy in his class. A chance, illicit encounter, however, suddenly sheds new light on the situation.

 About an Intimate Matter About an Intimate Matter

Director: Sandeep Kumar Paul

Year: 2026

Science teacher Swarna and her partner Driti move to a suburban town for a fresh start. When a student leaks intimate photos of Swarna online, school authorities turn her private life into a disciplinary issue. Official Selection Busan International Film Festival 2026 - World premiere

Denzel Baidoo as Marcus, forlorn at the dinner table. Clocks

Director: Yv Shells

Year: 2026

When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.