Darkness in the Afternoon
Synopsis
Details
- Year
- 2000
- Type of project
- Shorts
- Running time
- 13 mins 30 secs
- Format
- 35 mm
- Director
-
Christeen Winford
- Producer
- Christeen Winford
- Editor
- Fiona MacDonald
- Screenwriter
- ChristeenWinford
- Director of Photography
- Mark Littlewood
- Sound
- Phil Croal
- Principal cast
- Alice Bree, Ralph Riach
Categories
Production Status
Production Company
Cormoront Production and Films Ltd
Contact: Christeen Winford72 Promenade
Edinburgh EH15 2DX
UK
T +44 (0)131 669 0631
Sales Company
Scottish Screen
Contact: Stuart Banyard249 West George Street
Glasgow G2 4QE
T +44 (0)141 302 1756
Page updates
This page was last updated on 12th May 2025. Please let us know if we need to make any amendments or request edit access by clicking below.
See also
You may also be interested in other relevant projects in the database.
Saved
Director: Christeen Winford
Year: 2002
A film about seeing and feeling: that treacherous task of making sense of the world. Laura begins her first adult job and is immediately torn between the professional advice of colleagues and instinctive empathy for the patients in her care. Tragic events bring conflict to crisis forcing a final and defining choice.
About an Intimate Matter
Director: Sandeep Kumar Paul
Year: 2026
Science teacher Swarna and her partner Driti move to a suburban town for a fresh start. When a student leaks intimate photos of Swarna online, school authorities turn her private life into a disciplinary issue. Official Selection Busan International Film Festival 2026 - World premiere
Clocks
Director: Yv Shells
Year: 2026
When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.