Project Detail

Demon

Synopsis

Demon is the bloodiest love story of all. Set in late Victorian London it tells the tale of Lorcan a young handsome man cursed by love transforming him into a blood thirsty demon.

Details

Year
2011
Type of project
Features
Running time
90 mins
Director
Mark Duffield
Producer
Demon House Pictures Limited
Editor
George Clemens
Screenwriter
Mark Duffield
Director of Photography
Mark Duffield
Production Designer
Robin Stuart
Principal cast
Clare Langford, Andrew Mullan, Tom Hall, Christopher Ettridge, Gabrielle Curtis, Andrew Cunningham, Jackie Haliday, Ryan Wichert, James Clay, Christopher Keegan, James Murtagh
Costume
Lara Jensen
Make Up
Fifi Corker
Demon FX
James Alexander

Categories

Production Status

Production Company

Demon House Pictures Limited

Page updates

This page was last updated on 12th May 2025. Please let us know if we need to make any amendments or request edit access by clicking below.

See also

You may also be interested in other relevant projects in the database.

Ghost of Mae Nak Ghost of Mae Nak

Director: Mark Duffield

Year: 2005

A thriller/romance set in modern Bangkok about a love that transcends death. A young couple reawakens the spirit of the famous old Thai legend of 'Mae Nak Phrakanong'.

 About an Intimate Matter About an Intimate Matter

Director: Sandeep Kumar Paul

Year: 2026

Science teacher Swarna and her partner Driti move to a suburban town for a fresh start. When a student leaks intimate photos of Swarna online, school authorities turn her private life into a disciplinary issue. Official Selection Busan International Film Festival 2026 - World premiere

Denzel Baidoo as Marcus, forlorn at the dinner table. Clocks

Director: Yv Shells

Year: 2026

When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.