Desert's Daughter

Director: Beata Hughes

Year: 2007

Three women: Ona, a pop star, Jude, a celebrated stripper and Hon, a judo player pursue, to the exclusion of everything else, their respective goals and ambitions. Ona starts judo training as a new fad in order to maintain the interest of her fans in her. Hon in addition to her obsessive judo training, also works as a bouncer in the lap dance club where Jude appears. Jude lands an offer she cannot refuse. A company producing the most expensive diamonds in the world is experiencing a decline in sales and is looking for a strategy to turn it around. It has hired one of the most experienced PR experts in the field. Suddenly opportunities present themselves, which could change the lives of the three women beyond all recognition putting their true motivations and passions to the test. A thought provoking film that challenges everybody’s perception of success.

Director: Sandeep Kumar Paul

Year: 2026

Science teacher Swarna and her partner Driti move to a suburban town for a fresh start. When a student leaks intimate photos of Swarna online, school authorities turn her private life into a disciplinary issue. Official Selection Busan International Film Festival 2026 - World premiere

Director: Yv Shells

Year: 2026

When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.