Diary of a Bad Lad

Director: Michael Booth

Year: 2011

A hilarious mad-cap comedy about Tash McDermott (Mark Woodward), Head of Lancashire Constabulary's Football Intelligence Unit, as he tries to track down a football hooligan ring leader, and put a stop to any "shenanigans" on the terraces. Tash is on the trail of the elusive ‘Nightmare’, a notorious football firm hooligan. Inspired by TV programmes like ‘Police, Camera, Action’, Tash is giving a journalist (Ian Wiggins) unrestricted access to cover his operation. But Tash is stuck in the glory days of the past, when football was a man’s game, women knew their place, a ruck was pretty much guaranteed, and he was top of the league for arrests and banning orders. Tash senses that being the subject of a documentary will restore his status, put him right back where he deserves to be, and maybe even make him a star. So he takes his eye off the ball and starts playing up to the camera. But that, and the fact the he can’t hold his beer, ends up landing him in serious trouble.

Director: Sandeep Kumar Paul

Year: 2026

Science teacher Swarna and her partner Driti move to a suburban town for a fresh start. When a student leaks intimate photos of Swarna online, school authorities turn her private life into a disciplinary issue. Official Selection Busan International Film Festival 2026 - World premiere

Director: Yv Shells

Year: 2026

When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.