Donovan Slacks

Director: Kivmars Bowling

Year: 2009

Berlin. Night. An old, homeless drunk stumbles down the street. Ignored by everyone. Almost everyone. Suddenly a woman appears in front of him, mid-thirties, thin, a drug addict. They stand face-to-face for the first time in years, father and daughter, Volker and Anna. Anna is desperate and on the run from the police. She needs money urgently and demands the key to grandpa's safety deposit box, a key which she knows her father still has. But Volker claims to have hidden it on the other side of the city. They set out on foot through the Berlin night, heading West. On the way, with Anna in pain, Volker notices she is bleeding from her stomach, but not all the blood is hers. And then Volker discovers the bloodied knife she's carrying - As time runs out and the police close in, father and daughter walk through the night. Under cover of darkness the secrets of their East German past explode in a final confrontation, and the consequences of times past come to light.

Director: Sandeep Kumar Paul

Year: 2026

Science teacher Swarna and her partner Driti move to a suburban town for a fresh start. When a student leaks intimate photos of Swarna online, school authorities turn her private life into a disciplinary issue. Official Selection Busan International Film Festival 2026 - World premiere

Director: Yv Shells

Year: 2026

When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.