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Synopsis
Carmen meets Kit on her hen night - in a kiss arranged by the maitre d' at the restaurant, according to a French tradition. It's a very good kiss. Too good. It's chemical, passionate, and very dangerous.
So she runs.
Torn between her safe, secure fiancé and the chance at gut-wrenching passionate love, Carmen is in a state of indecision. She avoids her heart, and goes with her head - and marries Barnaby. Until she realises she's made a terrible mistake and runs from her wedding bed to Kit.
As the situation intensifies, Carmen embarks on a journey in which she'll be forced to learn that things are never quite what they seem. This twisted tale toys with illusion and reality, passion and artifice.
Details
- Year
- 2003
- Type of project
- Features
- Running time
- 90 mins
- Format
- 35mm
- Director
-
Matthew Parkhill 1st Feature
- Producer
- David Garrett, Bob Hayward, Patrick Wachsberger, Erik Feig, Francisco Ramos
- Editor
- Jon Harris
- Screenwriter
- Matthew Parkhill
- Director of Photography
- Affonso Beato
- Sound
- Antonio Bloch
- Composer
- Javier Navarrate
- Principal cast
- Gael Garcia Bernal, Natalia Verbeke, James D’Arcy
Categories
Production Status
Production Company
Arcane Pictures/Summit Entertainment
46 Wetherby Mansions,Earls Court Square
London SW5 9DJ
UK
T+44 (0)20 7244 6590
info@arcanepictures.com
Sales Company
Summit Entertainment
77 Dean StreetLondon W1D 3SH
UK
T+44 (0)20 7494 1724
Page updates
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See also
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Romeo Thinks Again
Director: Matthew Parkhill
Year: 2000
Love is eternal as long as it lasts. At the end of Shakespeare's Romeo & Juliet Romeo does not die; the poison he had been sold by the apothecary was cheap and was watered down. Today we find Romeo working at the checkout store that time forgot . . .
About an Intimate Matter
Director: Sandeep Kumar Paul
Year: 2026
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Clocks
Director: Yv Shells
Year: 2026
When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.