Project Detail

Elemental Storage

Synopsis

If you knew where the truth was hidden - would you dare unlock the door?

A story about growing up and coming to terms with a past that is not your own.

Alice Hargrave, a history student at Oxford university, discovers her amnesiac father's archive in a self-storage facility. The archive tells the story of her mother's death when Alice was only 5 years old. Why did she commit suicide? Was it a suicide at all?

Details

Year
2010
Type of project
Features
Running time
94 mins
Director
Matthew Dixon 1st Feature
Producer
David Woods
Editor
Roger Crumlin
Screenwriter
Matthew Dixon
Director of Photography
Jon Ahearn
Production Designer
Benny Matthew
Sound
Wayne Reay
Composer
Mike Jennings

Genre

Categories

Production Status

Production Company

Original Standard Picture Production

Page updates

This page was last updated on 12th May 2025. Please let us know if we need to make any amendments or request edit access by clicking below.

See also

You may also be interested in other relevant projects in the database.

Elemental Storage Elemental Storage

Director: Matthew Dixon

Year: 2009

A young woman, Alice, discovers an archive whose contents tell the story of her mother's apparent suicide when she was just a child. Piecing together the story from her father's work, an academic psychological experiment involving the reconstruction of dreams through video, Alice is led to shocking truths buried in her family's past.

 About an Intimate Matter About an Intimate Matter

Director: Sandeep Kumar Paul

Year: 2026

Science teacher Swarna and her partner Driti move to a suburban town for a fresh start. When a student leaks intimate photos of Swarna online, school authorities turn her private life into a disciplinary issue. Official Selection Busan International Film Festival 2026 - World premiere

Denzel Baidoo as Marcus, forlorn at the dinner table. Clocks

Director: Yv Shells

Year: 2026

When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.