Emotional Fusebox

Director: Rachel Tunnard

Year: 2016

A comedy about arrested development. Anna is stuck. Her greatest happiness was her relationship with her twin brother, but since his death, 18 months ago, she's on a downward spiral that includes returning to her rural home-town, abandoning any hope of a sex life, and making the shed at the bottom of her Mum and Nan’s garden into her home. When her Mum serves her with an ultimatum and her schoolfriend comes to visit, Anna’s life of emotional isolation becomes impossible to maintain. Soon she is entangled with a troubled boy obsessed with Westerns, and the local estate agent whose awkward interpersonal skills continually undermine his attempts to seduce her. A story about confronting the things we are most scared of – a story that explores the universal themes of being lost and finding yourself, making peace with who you are, and regaining self-confidence and dignity. It’s basically the same themes as 'Rocky' but with thumbs. And a cowboy. And no boxing. Tribeca Film Festival 2016 - World premiere

Director: Sandeep Kumar Paul

Year: 2026

Science teacher Swarna and her partner Driti move to a suburban town for a fresh start. When a student leaks intimate photos of Swarna online, school authorities turn her private life into a disciplinary issue. Official Selection Busan International Film Festival 2026 - World premiere

Director: Yv Shells

Year: 2026

When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.