Ernestine and Kit
Synopsis
Details
- Year
- 2015
- Type of project
- Shorts
- Running time
- 11 mins
- Format
- HD
- Director
-
Simon Bird
- Producer
- Matthew James Wilkinson
- Co-Producer
- John Wallace
- Executive Producer
- Paul Ashton, Kate Lee
- Editor
- Tommy Boulding
- Screenwriter
- Simon Bird, based on the short story by Kevin Barry
- Director of Photography
- Jamie Cairney
- Production Designer
- Mark Kilbride
- Sound
- Steve Parker
- Composer
- The Raincoats
- Principal cast
- Pauline Collins, Rosaleen Linehan
Categories
Production Status
Production Company
Page updates
This page was last updated on 12th May 2025. Please let us know if we need to make any amendments or request edit access by clicking below.
See also
You may also be interested in other relevant projects in the database.
Days of the Bagnold Summer
Director: Simon Bird
Year: 2019
Sue works in a library. Daniel eats crisps and listens to Metallica. This was the summer Daniel was due to spend with his father and his father’s new wife in Florida. But when they cancel his trip at the last minute, Sue and Daniel suddenly face the prospect of six long weeks together. An epic war of wills ensues in the unassuming battleground of their suburban home as they each reckon with private tragedies – and pursue their personal passions. Adapted from the graphic novel by Joff Winterhart, Days of the Bagnold Summer is a tender, funny coming-of-age story, featuring original songs by the indie darlings Belle & Sebastian. Official Selection Locarno Film Festival 2019 - World premiere Official Selection BFI London Film Festival 2019 - Laugh Strand
About an Intimate Matter
Director: Sandeep Kumar Paul
Year: 2026
Science teacher Swarna and her partner Driti move to a suburban town for a fresh start. When a student leaks intimate photos of Swarna online, school authorities turn her private life into a disciplinary issue. Official Selection Busan International Film Festival 2026 - World premiere
Clocks
Director: Yv Shells
Year: 2026
When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.