Project Detail

Expensive Shit

Synopsis

Tolu, a toilet attendant, manipulates unsuspecting women for men behind the mirrors. Tonight, she is forced to choose between saving herself or harming a punter.

Details

Year
2020
Type of project
Shorts
Running time
15 min
Director
Adura Onashile
Producer
Rosie Crerar
Co-Producer
Ciara Barry, Wendy Griffin
Executive Producer
Claudia Yusef, Paul Welsh
Editor
Stella Heath Keir
Screenwriter
Adura Onashile
Director of Photography
Sarah Cunningham
Production Designer
Jamie Lapsley
Sound
William Aikman
Composer
Ré Olunuga
Principal cast
Modupe Adeyeye, Kim Allan, Nebli Basani

Categories

Production Status

Production Company

Barry Crerar

Film City Glasgow
401 Govan Road
Glasgow
G51 2QJ

Page updates

This page was last updated on 12th May 2025. Please let us know if we need to make any amendments or request edit access by clicking below.

See also

You may also be interested in other relevant projects in the database.

Girl Girl

Director: Adura Onashile

Year: 2023

In this coming of age drama, 11 year old Ama and her 24 year old mother, Grace, take solace in the gentle but isolated world they obsessively create. But Ama’s growing up threatens the boundaries of their tenderness, and forces Grace to reckon with a past she struggles to forget. Official Selection Sundance Film Festival 2023 - World Cinema Dramatic Competition - World premiere Official Selection BFI London Film Festival 2023

 About an Intimate Matter About an Intimate Matter

Director: Sandeep Kumar Paul

Year: 2026

Science teacher Swarna and her partner Driti move to a suburban town for a fresh start. When a student leaks intimate photos of Swarna online, school authorities turn her private life into a disciplinary issue. Official Selection Busan International Film Festival 2026 - World premiere

Denzel Baidoo as Marcus, forlorn at the dinner table. Clocks

Director: Yv Shells

Year: 2026

When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.