Famous Last Words
Synopsis
Details
- Year
- 2000
- Type of project
- Shorts
- Director
-
Emma Rossi-Landi
- Dir
- Emma Rossi-Landi 16mm. 26mins. Prod: Meera Patel. Scr: Rossi-Landi. DoP: Orit Teply. Cast: Stacey Brady, Lindsay Allen, Jeff Bellamy, Sally Faulkner, Paul Hurstfield.
Categories
Production Status
Production Company
The London International Film School 24 Shelton Street London WC2H 9HP, UK Tel: 020 7836 9642 Fax: 020 7497 3718 E-mail: film.school@lifs.org.uk
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See also
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Famous Last Words
Director: Emma Rossi-Landi
Year: 2000
From a short story by Sally Reeves. It is a difficult period for 12 year old Susy. Her father is very ill. The family house where she lives is filled with grief. Everybody is very busy trying to face the situation. Susy is left to herself. She never washes. She builds a magic room with her mother's furniture, and slowly she learns to cope with her grief.
About an Intimate Matter
Director: Sandeep Kumar Paul
Year: 2026
Science teacher Swarna and her partner Driti move to a suburban town for a fresh start. When a student leaks intimate photos of Swarna online, school authorities turn her private life into a disciplinary issue. Official Selection Busan International Film Festival 2026 - World premiere
Clocks
Director: Yv Shells
Year: 2026
When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.