FarEye
Synopsis
Official Selection Raindance Film Festival 2026
Details
- Year
- 2026
- Type of project
- Shorts
- Running time
- 13 min 55 sec
- Director
-
Hayden Mclean
- Producer
- Hayden Mclean, Harold Salakianathan, Robert A. Maylor, Ade O'Adesina, Joel Honeywell
- Executive Producer
- Lurleen Johnson, Hazel Holder, Cheryl Burke, Kimala Bennett, Asha Mchail, Tsehai Scott
- Editor
- Edward Cooper
- Screenwriter
- Hayden Mclean
- Director of Photography
- Joel Honeywell
- Production Designer
- Nicole Marsh
- Sound
- Jake Fielding
- Composer
- Gaika Tavares
- Principal cast
- Djamari Roberts, Jesse Royal, Donisha Prendergast, Jeff Crossley, Antoinette Smith, Sydney Watson
Categories
Production Status
Production Company
Soul Rebel Productions
320 City RoadLondon
EC1V 2NZ
Page updates
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Year: 2025
When Fox’s "LA Bar" is hit with a compulsory purchase order, a cornerstone of Caribbean life in 90s East London is threatened. As the city begins to forget, the community remembers. In defiance and longing, a last dance ignites - one that will be remembered for the ages.
About an Intimate Matter
Director: Sandeep Kumar Paul
Year: 2026
Science teacher Swarna and her partner Driti move to a suburban town for a fresh start. When a student leaks intimate photos of Swarna online, school authorities turn her private life into a disciplinary issue. Official Selection Busan International Film Festival 2026 - World premiere
Clocks
Director: Yv Shells
Year: 2026
When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.