Field of Bones (Gort Na gCnámh)

Director: Carol Moore

Year: 2009

Tomboyish Pumpgirl loses herself in girlish daydreams about stock-car driver Hammy. She naively believes that Hammy loves her and will leave his wife, Sinead. Stuck in a loveless marriage with Hammy, Sinead’s need to be stimulated spiritually pulls her into an adulterous passion with Shawshank. When Shawshank realises that the lascivious Hammy has a soft spot for Pumpgirl, he orchestrates a gang rape of her. Hammy is filled with conscience-stricken despair after the rape and seeks solace in his family. Pumpgirl starts to stalking Hammy and is furious when she sees him play happy families with Sinead and the kids. Unfortunately, Sinead is now pregnant with Shawshank’s child. As Hammy’s guilt turns to self loathing, he decides to set fire to Shawshank’s truck. He tries to call Sinead and, when she fails to reply, anguished, indeed suicidal, he attaches a tube to the exhaust pipe on his car, feeds it through the window and sits down inside. Ignoring Hammy’s calls, Sinead is trying to tell Shawshank about the baby. Shawshank misunderstands Sinead’s intentions and becomes violent. Finally realising that she had been deluding herself about Hammy, Pumpgirl kidnaps his kids Kelly and Darren. Eventually, she relents and delivers them safely to Sinead.

Director: Sandeep Kumar Paul

Year: 2026

Science teacher Swarna and her partner Driti move to a suburban town for a fresh start. When a student leaks intimate photos of Swarna online, school authorities turn her private life into a disciplinary issue. Official Selection Busan International Film Festival 2026 - World premiere

Director: Yv Shells

Year: 2026

When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.