Flight
Synopsis
Details
- Year
- 2005
- Type of project
- Shorts
- Running time
- 7 min 43 sec
- Format
- DigiBeta
- Director
-
Dryden Goodwin
- Production assistance
- Jonathan Houlding, Mike Cole, Sophie Clements, Jo Cole, Tony Peretta, Lucie Baldwin, Rob Baldwin
- Funding
- an animate! commission funded through Finetake by Arts Council England and Channel 4
Genre
Categories
Production Status
Production Company
Finetake Productions (animate!)
Contact: FinetakePage updates
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See also
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Alongside
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Year: 2019
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Unseen: The Lives of Looking
Director: Dryden Goodwin
Year: 2015
’Unseen: The Lives of Looking’ focuses on four individuals with a distinct relationship to looking - an eye surgeon, a planetary explorer, a human rights lawyer and an artist/filmmaker. Told through Dryden Goodwin’s closely observed drawings, camera work and multilayered soundtrack, it explores different scales, forms and reasons for looking, in a poetic and metaphysically charged journey. Revealing the empathy and dexterity of an eye surgeon, working with the fragile human eye; the quest of a NASA planetary explorer to decode the cosmos and find evidence of life on Mars; and the scrutiny of the British government, by a human rights lawyer, in extraordinary rendition, drone attack and mass surveillance cases. The film’s perspectives range from minute details to panoramic expanses, building an atmospheric and sensual matrix around its subjects. Goodwin includes fleeting vignettes of strangers and a brief focus on his father and son, highlighting the tension in his work between intimacy and anonymity. The film considers both the physical act of looking and how we perceive the world around us: how we contemplate the known and the unknown, the personal and the remote and the imaginative leaps taken to reveal what might be concealed or out of sight.
A Season in Secret
Director: Matthew Berka
Year: 2027
A SEASON IN SECRET brings together material both close at hand and far away. It is a meditation on things glimpsed at a distance and the limits of perception. What lies behind the screen is hidden and may only be hinted at through the language of visible images and sounds. The film takes some of its cues from the Japanese aesthetic concept of Yūgen, described in part by the 15th-century aesthetician Zeami Motokiyo: “...to stand upon the shore and gaze after a boat that disappears behind distant islands.”