Frida Kahlo's Corset
Synopsis
Details
- Year
- 2004
- Type of project
- Shorts
- Running time
- 9 mins 15 secs
- Format
- Beta SP
- Director
-
Liz Crow
- Producer
- Jo Lanyon
- Executive Producer
- Jo Lanyon
- Editor
- Andy Moss
- Screenwriter
- Liz Crow, Ralph Hoyte
- Director of Photography
- Carol Stevens
- Sound
- Ant Bohun
- Composer
- Hetty Hope, Caravanserai
- Principal cast
- Isolte Avila, Laura Jerram, Voice of Frida Kahlo (Carmen Brauning)
Genre
Categories
Production Status
Production Company
Infinite Blue Productions
1c Birchall RoadBristol
BS6 7TW
UK
T/F +44 (0)117 944 6882
liz@infiniteblueproductions.com
Sales Company
Picture This Moving Image
Spike Island Studios40 Sydney Row
Bristol
BS1 6UU
UK
T+44 (0)117 925 7010
Page updates
This page was last updated on 12th May 2025. Please let us know if we need to make any amendments or request edit access by clicking below.
See also
You may also be interested in other relevant projects in the database.
Frida Kahlo's Corset
Director: Liz Crow
Year: 2006
Short experimental drama that follows a journey of transformation by the Mexican painter Frida Kahlo (1907-1954) who wore a series of orthopaedic corsets because of impairment. The film draws on Kahlo's own words and bold painting style. It refutes the picture of Kahlo's life as one of tragedy and suffering.
About an Intimate Matter
Director: Sandeep Kumar Paul
Year: 2026
Science teacher Swarna and her partner Driti move to a suburban town for a fresh start. When a student leaks intimate photos of Swarna online, school authorities turn her private life into a disciplinary issue. Official Selection Busan International Film Festival 2026 - World premiere
Clocks
Director: Yv Shells
Year: 2026
When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.