From A to Q
Synopsis
Details
- Year
- 2021
- Type of project
- Shorts
- Running time
- 19 min
- Director
-
Emmalie El Fadli
- Producer
- Emmalie El Fadli, Katie Pratten, Hansof Waller, Mark Owen, Bob Oliver, Dionne Jacomello
- Screenwriter
- Emmalie El Fadli
- Principal cast
- Sophie Rivers, Holly Ashman
Categories
Production Status
Page updates
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See also
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You and Me Makes Three
Director: Emmalie El Fadli
Year: 2026
Alannah and Amara, a married couple in their early thirties, are ready to take the next step: starting a family. At a lively children’s birthday party, their enthusiasm for parenthood is met with a barrage of real-life parenting confessions from friends. They hear everything from birth horror stories to the absurdities of toddler logic. Amid the laughter and chaos, the couple’s desire for a child grows stronger. Navigating the maze of fertility options, they consider everything from anonymous donors to a “Tinder for sperm.” Their journey takes a humorous, heartfelt turn when their gay best friend David offers to help as a known donor. What follows is a series of awkward, hilarious, and deeply intimate attempts at home insemination complete with strap-ons, science goggles, and the unglamorous realities of conception. Despite their optimism, the process proves emotionally taxing. When medical tests reveal that David’s sperm counts aren't up to the task, the couple persevere. They seek a new donor, pursuing intrauterine insemination (IUI) and confronting the financial and emotional costs head-on. Official Selection BFI Flare: London LGBTQIA+ Film Festival 2026
About an Intimate Matter
Director: Sandeep Kumar Paul
Year: 2026
Science teacher Swarna and her partner Driti move to a suburban town for a fresh start. When a student leaks intimate photos of Swarna online, school authorities turn her private life into a disciplinary issue. Official Selection Busan International Film Festival 2026 - World premiere
Clocks
Director: Yv Shells
Year: 2026
When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.