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Synopsis
Moses got himself a white British wife even though he was already married with five kids back home. He played the devoted husband until his British passport came, which became Berry, his British wife’s nightmare. Rosie on the other hand, has a Kenyan fiancé who paid for her to study in England and expects her back. However, Rosie is confused about whom to choose. Ignorantly, Mike falls in love with her lies and could not wait to marry her
when he found out she was pregnant for him. Amaro has come as a skilled immigrant and shares an accommodation with Stan, who has a vengeance to carry out. Stan fears she is only after his British citizenship not him and will continue to carry out his vengeance for all those years of rejection.
Who will be lucky enough to embrace true happiness and success, or perhaps an escape to freedom at the expense and detriment of another.
Details
- Year
- 2023
- Type of project
- Features
- Running time
- 140 min
- Format
- 35mm
- Director
-
Anastasia Okeze 1st Feature
- Producer
- Anastasia Okeze
- Executive Producer
- Anastasia Okeze
- Editor
- Alex Ausman
- Screenwriter
- Namita Kabilias
- Director of Photography
- Nick Asgil, Marc Adebesin
- Production Designer
- Vivian Tirado, Nekita Okafor
- Sound
- Nash Media, Marc Adebesin
- Composer
- Beatweezy
- Principal cast
- Van Vicker, Septimus Prime, Natasha Mendez, Dontae, LindsayDanny Erskine, Collins Archie-Pearce, Francis Nduka,Nnnena Ani
Genre
Categories
Production Status
Production Company
Berrywell Entertainment
78 Bexley High StreetDA5 1LB
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See also
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Passport Sake
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Year: 2021
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About an Intimate Matter
Director: Sandeep Kumar Paul
Year: 2026
Science teacher Swarna and her partner Driti move to a suburban town for a fresh start. When a student leaks intimate photos of Swarna online, school authorities turn her private life into a disciplinary issue. Official Selection Busan International Film Festival 2026 - World premiere
Clocks
Director: Yv Shells
Year: 2026
When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.