Genius
Synopsis
Berlinale 2016 - World premiere
Details
- Year
- 2016
- Type of project
- Features
- Running time
- 96 mins
- Director
-
Michael Grandage 1st Feature
- Producer
- James Bierman, Michael Grandage, John Logan
- Co-Producer
- Tracey Seaward
- Executive Producer
- Deepak Nayer, Nik Bower, James J Bagley, A Scott Berg, Tim Bevan, Steve Christian, Ivan Dunleavy, Arielle Tepper Madover
- Editor
- Chris Dickens
- Screenwriter
- John Logan (screenplay), A. Scott Berg (nonfiction book)
- Director of Photography
- Ben Davis
- Production Designer
- Mark Digby
- Sound
- Supervising Sound Editor: Ian Wilson
- Composer
- Adam Cork
- Principal cast
- Colin Firth, Jude Law, Nicole Kidman, Laura Linney, Guy Pearce, Dominic West, Vanessa Kirby
Genre
Categories
Production Status
Production Company
UK, US coproduction
Desert Wolf Productions (US), Michael Grandage Company (UK)
Michael Grandage Company
Genius Film ProductionsFourth Floor
Gielgud Theatre
Shaftesbury Theatre
London
W1D 6AR
Sales Company
FilmNation Entertainment (World sales excluding US)
150 West 22nd Street, 9th FloorNew York
NY 10011
USA
Creative Artists Agency/ CAA (US sales)
2000 Avenue of the StarsLos Angeles
CA 90067
USA
Page updates
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Clocks
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When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.