George's Day

Director: David Whitney

Year: 2010

Kandahar, Afghanistan. 1999. A team of British mine clearance engineers are working for the Taliban government in the scorching deserts of Southern Afghanistan, clearing the vast minefields after decades of conflict. Amidst the draconian laws of this extremist regime, one of the team, Richard Lee, an ex-British Army bomb disposal expert, falls foul of corrupt local police chief Ashiq Khan, who then instigates a manhunt to find and kill the infidel. Now embroiled in a deadly game of intrigue and betrayal, Richard must escape on foot across the border into nearby Pakistan, but during his journey he is ambushed by a force of rebel guerrillas, enemies of the government, who agree to help him flee the vengeful Taliban. Best Film at the Philadelphia Independent Film Festival, 2010.  Best Feature and Best Actor at the Newport International Film Festival (Wales), 2009.  

Director: Sandeep Kumar Paul

Year: 2026

Science teacher Swarna and her partner Driti move to a suburban town for a fresh start. When a student leaks intimate photos of Swarna online, school authorities turn her private life into a disciplinary issue. Official Selection Busan International Film Festival 2026 - World premiere

Director: Yv Shells

Year: 2026

When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.